Frills Thrill!!!(Love Aaj Kal)

by Srikanth Mantravadi

The review for Love Aaj Kal has already been posted.For review click here.

Now that we have enjoyed and raved about the music of Love Aaj Kal,it’s time to dig a little deeper to know exactly what made it such a pleasurable experience.Here’s a thought…
Listening to the OST,I couldn’t help but notice the little elegant bells & whistles that made listening to it an engrossing affair.Usually I would have put all this down within a review,but considering it would be too much of a digression I decided to make a separate post out of it.
Pritam,it has been said,has this uncanny knack for producing sound that is delicious to the ears.After all who can forget the evanescent techno sound of Tu Hi Meri Shab Hai or the sui generis electric guitaring in Alvida that gave a contemporary expression to a very Indian sound.
In Love Aaj Kal, Pritam shows off this splendid ability at conjuring scherzos that might as well be remembered as standalone pieces of art.Look no further than Chor Bazaari, where a rather staid tune is uplifted by the eloquent sitar (?)Also notice how a plaintive violin kicks in,providing an emphatic backdrop to Sunidhi in Thoda Thoda Pyaar.The striking guitar riffs at the beginning of Aahun Aahun giving it an enthralling start.Those short bursts of staccato guitar add an indescribable recall value to the song apart from the ingenious use of Kadi Te Hass Bol Ve.Similar is the quantum of effect of KK’s high octave dreaminess in Main Kya Hoon.A dash of techno and synth is all it takes to make an above average sound appear ethereal.Aaj Din Chadheya is the only song where Pritam doesn’t add any particular embellishment though he fills it up to the gills with a lush, vibrant score setting the stage for pied piper Rahat to take centrestage.Finally,the MD brings the house down with the extremely infectious infusion of Tan Dole Mera Man Dole which offers an amazingly kitschy backdrop to Neeraj Sridhar’s verbosity.
Frills Thrill!!!

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