Talaash (Ram Sampath)

by Srikanth Mantravadi

Muskaaein Jhooti Hai reminded me of Shantanu Moitra’s Kaisi Paheli Zindagani with its seductive jazzy appeal. Suman Sridhar does a fabulous job; her girl-woman voice is a fresh change from Sunidhi’s, who any other MD would have preferred. Jee Le Zara, by a small margin, is a cut above the rest; it is easy on the ears and Vishal holds forth fabulously. The remix isn’t too bad either. Jiya Lage Na is fashionable in the way it overlays a semi-classical style over a modern orchestration template. Ravindra Upadhyay is, again, a counter-intuitive choice over Sukhwinder Singh and acquits himself well. Ram Sampath closes out the album with two numbers sung by himself – the portentous Hona Hai Kya which gets the techno sound just right and the hopeful Laakh Duniya Kahe.

All the songs have simplistic yet melodious tunes which can be a good thing and a bad thing; I wonder if this simplicity  will mean that these songs will get assimilated faster and fade out faster as is happening with every listen. Yet I like how this soundtrack retains a thematic consistency, throughout, even while sticking to the one romantic song-one sad song formula. Every song is tinged with a sense of alienation and melancholy and that counts for something. A solid album.